“Ameno” by Era (Google Play • AmazonMP3 • iTunes)
Artist: Era
A variety list of the methods developed and used by Cliff in producing new bands, music, song orchestration, performance production,and creating income cash flow from music projects
“Ameno” by Era (Google Play • AmazonMP3 • iTunes)
Artist: Era
Miranda Sings: Shake It Off
From the movie: The Breakfast Club (02-1985)
Hey, hey, hey ,hey
Ohhh…
Won’t you come see about me?
I’ll be alone, dancing you know it baby
Tell me your troubles and doubts
Giving me everything inside and out and
Love’s strange so real in the dark
Think of the tender things that we were working on
Slow change may pull us apart
When the light gets into your heart, baby
Don’t You Forget About Me
Don’t Don’t Don’t Don’t
Don’t You Forget About Me
Will you stand above me?
Look my way, never love me
Rain keeps falling, rain keeps falling
Down, down, down
Will you recognise me?
Call my name or walk on by
Rain keeps falling, rain keeps falling
Down, down, down, down
Hey, hey, hey, hey
Ohhhh…..
Don’t you try to pretend
It’s my feeling we’ll win in the end
I won’t harm you or touch your defenses
Vanity and security
Don’t you forget about me
I’ll be alone, dancing you know it baby
Going to take you apart
I’ll put us back together at heart, baby
Don’t You Forget About Me
Don’t Don’t Don’t Don’t
Don’t You Forget About Me
As you walk on by
Will you call my name?
As you walk on by
Will you call my name?
When you walk away
Or will you walk away?
Will you walk on by?
Come on – call my name
Will you all my name?
I say :
La la la…
When you walk on by…
And you call my name…
From the 1976 album “Takin’ It to the Streets” Features Patrick Simmons and Tom Johnston on lead vocals; Jeff “Skunk” Baxter lead guitar solo, Mike McDonald electric keyboard solo.
Money
Get away
You get a good job with good pay and you’re okay
Money
It’s a gas
Grab that cash with both hands and make a stash
New car, caviar, four star daydream
Think I’ll buy me a football team
Money
Well, get back
I’m all right Jack
Keep your hands off of my stack
Money
It’s a hit
Don’t give me that do goody good bullshit
I’m in the high-fidelity first class travelling set
I think I need a Lear jet
(amazing solos)
Money
It’s a crime
Share it fairly
But don’t take a slice of my pie
Money
So they say
Is the root of all evil today
But if you ask for a raise
It’s no surprise that they’re giving none away
“HuHuh! I was in the right!”
“Yes, absolutely in the right!”
“I certainly was in the right!”
“You was definitely in the right. That geezer was cruising for a bruising!”
“Yeah!”
“Why does anyone do anything?”
“I don’t know, I was really drunk at the time!”
“I was just telling him, he couldn’t get into number 2. He was asking why he wasn’t coming up on freely, after I was yelling and screaming and telling him why he wasn’t coming up on freely. It came as a heavy blow, but we sorted the matter out”
Pink Floyd “Money”
“Money Is Coming To Me”
Ever had an awkward handshake with someone? Well never again once you learn these full-proof techniques… is it full-proof or fool-proof? I feel like fool-proof makes more sense but I’ve always said full-proof. What a crazy world we live in.
It’s coming to me! The Universe is working for me, and I believe.
This is one of my favorite songs to play on guitar. Finding a drummer and bass player who know this song has been a challenge.
So many folks just do not get what’s happening with Global Economic Changes and the break-up of the old regime Cabal. Too many Naysayers.
These are the persons who say something will not work or is not possible. I chatted with two guys yesterday who deny, refuse, and oppose the idea that something like the old regime banking system should and will be humbled by open market, competitive alternatives such as the BRICS economic movement.
But to the Naysayers, after the changes take place the truth will be known, and there will be:
“Nothing Left To Say”
Music by Mint Condition.
This is a REAL tear jerker. Praise GOD !
In California, this is a GOOD VIBRATIONS summer!
Some things are just classic. Time after Time by Cyndi Lauper
The song’s title, Time After Time, was inspired after Lauper started writing for the song and needed a fake title as a placeholder for the time being. Thus, Lauper was looking in the TV Guide and saw a lot of movie titles, with the 1979 science fiction movie Time After Time being chosen. Although trying to remove the title later, Lauper claimed she couldn’t take it out without the song falling apart.
The spring of 1983, Cyndi Lauper was introduced to American musician Rob Hyman. Hyman and she sat at a piano and started working on “Time After Time” with the inspiration for the song coming after both songwriters were going through similar things with their relationships. Hyman was coming out of a long and hard relationship, and Lauper was having a lot of bumps in her relationship with current boyfriend, David Wolff. One of the first lines Rob wrote was “suitcase of memories”, which according to Cyndi, “strucked her”, claiming it was a “wonderful line”, while other lines came from her life.
The biography and history of Miles Davis:
May his music live long, and Miles rest in peace.
Like many music listeners, I’ve always enjoyed the sound and songs of Creedance Clearwater Revival. Here is their 35 greatest hits. Which one is your favorite? Leave a comment.
0:00:00 Bad Moon Rising
0:02:18 Proud Mary
0:05:24 Up Around The Bend
0:08:04 Have You Ever Seen The Rain
0:10:41 Hey Tonight
0:13:21 I Hear It Through The Grapevine
0:17:12 My Baby Left Me
0:19:27 Wrote A Song For Everyone
0:27:27 The Midnight Special
0:31:36 Run Through The Jungle
0:34:40 It’s Just A Thought
0:38:29 Walking On The Water
0:43:04 Night Time Is The Right Time
0:46:10 (Wish I Could) Hideaway
0:49:49 Cotton Fields
0:52:43 Someday Never Comes
0:56:37 Suzie Q
1:01:11 Lookin’ Out My Back Door
1:03:41 Travelin’ Band
1:05:46 Down On The Corner
1:08:28 Who’ll Stop The Rain
1:10:57 Fortunate Son
1:13:15 Good Golly Miss Molly
1:15:56 Long As I Can See The Light
1:19:29 Sweet Hitch-Hiker
1:22:23 Born On The Bayou
1:27:35 Molina
1:29:39 Hello Mary Lou
1:31:49 Green River
1:34:23 It Came Out Of The Sky
1:37:18 Don’t Look Now
1:39:26 Commotion
1:42:08 Before You Accuse Me
1:45:33 Ooby Dooby
1:47:36 I Put A Spell On You
My good friend, Katy Lundeen, offered to buy me one of these custom stomp boxes for the band:
Meet The Beatles is the first album released to the U.S. in 1964.
This is CLASSIC Beatles!
It is 1963, and I am eleven years old watching my mom dance to this music.
The album “With the Beatles” was released in 1963.
Enjoy!
Side 1:
1. It Won’t Be Long – 0:00
2. All I’ve Got to Do – 2:11
3. All My Loving – 4:12
4. Don’t Bother Me – 6:18
5. Little Child – 8:44
6. Till There Was You – 10:28
7. Please Mister Postman – 12:40
Side 2:
8. Roll Over Beethoven – 15:12
9. Hold Me Tight – 17:55
10. You Really Got a Hold on Me – 20:25
11. I Wanna Be Your Man – 23:24
12. Devil in Your Heart – 25:22
13. Not a Second Time – 27:46
14. Money (That’s What I Want) – 29:50
The year 1966 was a turning point in my life as I considered leaving several years of playing trumpet in concert band, and playing in a tribute band to Herb Albert and the Tijuana Brass. Instead, to my mother’s dismay, I would take up guitar to chase a dream of being a rock -n-roll entertainer. From 1966 through 1972, I would spend most of my time organizing rock bands and booking performance gigs with the objective of making people dance. Revolver is the music that the Beatles had released when they too were making a change in their musical career; they would never again play a live performance on stage, but instead would only make studio music.
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966 by Parlophone in the United Kingdom and on 8 August 1966 by Capitol Records in the United States.
In 1966, HIT songs were released on 45’s vinyl records. Taxman was the HIT song on side A, but the song on side B was my favorite, and it never made it to an LP until Beatles songs were being remixed. That song was: Paperback Writer
And, here is how to play the guitar for: Paperback Writer
Now here is the list of individual songs from the original release of: Revolver
Side 1
0:00 – 1. Taxman (George Harrison)
George’s protest against high taxes, named UK politicians of the time, “Mr. Wilson” and “Mr. Heath.”
2:42 – 2. Eleanor Rigby
One of the Beatles’ finest lyrics and with a beautiful, haunting, melody. A leading UK critic said this track signaled that pop music had “come of age.”
4:51 – 3. I’m Only Sleeping
John’s tribute to the joy of staying in bed.
7:55 – 4. Love You To (George Harrison)
George was the only Beatle to play on this track. He was joined by an Indian tabla player and studio musicians.
10:57 – 5. Here, There And Everywhere
A ballad written by Paul for his girlfriend, Jane Asher, it is thought that The Beach Boys’ “God Only Knows” was a big influence for this song.
13:25 – 6. Yellow Submarine
A modern day nursery rhyme, and inspiration for the animated film of 1968.
16:07 – 7. She Said She Said
Based on a conversation with actor Peter Fonda, this was originally a very aggressive song by John, but later rewritten.
Side 2
18:46 – 8. Good Day Sunshine
This track followed a trend for “sunny” songs in 1966, such as the Lovin’ Spoonful’s “Daydream” abd “Sunny Afternoon” by The Kinks.
20:59 – 9. And Your Bird Can Sing
Although Beatle fans searched for deep meaning in this song, John Lennon insisted it was a simple track, written to fill a gap in the album.
23:01 – 10. For No One
Only Paul and Ringo play on this track, which has a French Horn solo by classical musician Alan Civil.
25:05 – 11. Doctor Robert
The doctor in the title was a friend of The Beatles, well known on the New York art scene.
27:24 – 12. I Want To Tell You (George Harrison)
The book that wrote this said that this was not one of George’s best songs, this track documents the difficulty he often had in saying what he really meant.
29:55 – 13. Got To Get You Into My Life
The Beatles also offered this song to a group known as Cliff Bennett and The Rebel Rousers. Their cover single, produced by Paul, made the UK Top 10 a week after Revolver was released.
32:27 – 14. Tomorrow Never Knows
The Beatles’ most experimental track to date, this mystical- sounding song, which does not include the words “tomorrow never knows” was originally called “Mark 1”, until Ringo came up with the title.
Found the facts for this album from a book simply titled “The Beatles.”
Wow!
I heard my spouse, DeeDee, play this from across our office, and instantly I recognized the Minor tuning of the song and instantly loved the arrangement; and Chase Holfelder also has a fine sounding voice:
This a special film by Peter Clifton.
America in performance at New York’s Central Park — In 1979 America (Dewey Bunnell and Gerry Beckley) were at the height of their popularity and had just released “Silent Letter” their first album as a duo following the departure of fellow founding member Dan Peek. Acclaimed Australian filmmaker Peter Clifton captured the band at their concert in New York’s Central Park and then followed them across to California where he filmed them in the studio and on location. All of this footage was combined to make America “Live In Central Park”.
TRACK LISTING: 1. Intro 2. Tin Man 3. Only Game in Town 4. I Need You 5. Foolin’ 6. Ventura Highway 7. California Dreamin’ 8. Another Try 9. A Horse With No Name 10. All Night 11. Here 12. Hollywood 13. Sandman 14. Sister Golden Hair BONUS.
FEATURES: Full length commentary by director Peter Clifton.
And, here is a YouTube performance of Sister Golden Hair by America which Rick Spencer (piano player) put me up to learning and playing at the next Open Mic session (Greek Sombrero Restaurant):
Simon’s not strictly in the mood for ballroom, but Paddy & Nico have much more in store than first appearances suggest. Watch the energy-shift in this electric pairing’s performance.
Larry Carlton on guitar and heard on SPOTIFY.
I suggest everyone learn about SPOTIFY and how to use it to promote their music and use it to follow your favorite musicians.
Add Spotify Follow buttons to your pages and make it easy for your web visitors to follow you or your favorite artists, or indeed any Spotify profile. It’s great for artists who want to build a fan base, businesses who want to raise their Spotify profiles, and music lovers who just want to share their tastes!
Here is my example in following Larry Carlton, one of my favorite and biggest influences in guitar playing:
Happy listening !
Listen to Larry Carlton on Spotify: Click Here
I really like the bass singer, the way she does the twist while singing..
And… also this:
Side 1:
1. Drive My Car – 0:00
2. Norwegian Wood (This Bird Has Flown) – 2:27
3. You Won’t See Me – 4:30
4. Nowhere Man – 7:48
5. Think for Yourself – 10:30
6. The Word – 12:47
7. Michelle – 15:28
Side 2:
8. What Goes On – 18:08
9. Girl – 20:54
10. I’m Looking Through You – 23:24
11. In My Life – 25:49
12. Wait – 28:13
13. If I Needed Someone – 30:25
14. Run for Your Life – 32:45
Sometimes, the old version of the song “I Put A Spell On You” can be most effective:
This is the second in a series of music videos being produced by Tamara Rodriguez (singer) and Heidi Fleischbein (harpist)
I am so THANKFUL for the life and Amazing Grace given to me by my Creator! And with this new day, I’m going to make something good of it 😉
It’s a Beautiful Day is an American band formed in San Francisco, California, in 1967, featuring vocalist Pattie Santos along with violinist David LaFlamme and his wife, Linda LaFlamme, on keyboards.
It’s a Beautiful Day is the self-titled debut album by San Francisco psychedelic band It’s a Beautiful Day. This album’s song “White Bird” was the band’s biggest hit. A substantial part of the themes and arrangement of the song “Bombay Calling” was used by Deep Purple as the basis for their song “Child in Time”
Its A Beautiful Day: on Wikipedia.org
Track listing:
Released 1969
Genre Psychedelic Rock
Length 40:42
Label CBS
Producer Matthew Katz, David LaFlamme
Personnel
David LaFlamme — violin, flute, lead vocals
Linda LaFlamme — acoustic piano, electric piano, organ, celeste, harpsichord
Hal Wagenet — guitars
Mitchell Holman — bass, harmonica, backing vocals
Val Fuentes — drums, backing vocals
Pattie Santos — percussion, bells, backing vocals
Bruce Steinberg — harmonica
Spirit 1968
1.Fresh-Garbage-00:00
2.Uncle Jack-03:11
3.Mechanical World-05:54 (Andes, Ferguson)
4.Taurus-11:09 (California)
5.Girl in Your Eye-13:46
6.Straight Arrow-17:01
7.Topanga Windows-19:52
8.Gramophone Man –23:28 (Andes, California, Cassidy, Ferguson, Locke)
9.Water Woman-27:18
10.The Great Canyon Fire in General-29:29
11.Elijah-32:16 (Locke)
12.Veruska †-43:04 (California)
13.Free Spirit †-45:55 (Locke)
14.If I Had a Woman † – 50:23 (California)
15.Elijah (Alternate Take) †-53:36 (Locke) † – Tracks specific to the 1996 reissue
All songs written by Jay Ferguson except where noted. Mark Andes — Bass, Vocals Randy California — Bass, Guitar, Vocals Ed Cassidy — Percussion, Drums Jay Ferguson — Percussion, Keyboards, Vocals John Locke — Keyboards
Quicksilver Messenger Service – Quicksilver Messenger Service – 1968 Full Album
Track list:
1 Pride Of Man 0:00
2 Light Your Windows 4:06
3 Dino’s Song 6:41
4 Gold And Silver 9:47
5 It’s Been Too Long 16:28
6 The Fool 19:23
Quicksilver Messenger Service – Happy Trails – 1969
Track list:
01. Who Do You Love, Pt. 1 0:00
02. When You Love 3:32
03. Where You Love 8:47
04. How You Love 14:54
05. Which Do You Love 17:40
06. Who Do You Love, Pt. 2 22:19
07. Mona 28: 10
08. Maiden of the Cancer Moon 35:11
09. Calvary 38:03
10. Happy Trails 51:37
Quicksilver Messenger Service – Just For Love – 1970
Track list:
Side A
A1 Wolf Run (Part 1) 0:00
A2 Just For Love (Part 1) 1:12
A3 Cobra 4:12
A4 The Hat 8:36
Side B
B1 Freeway Flyer 19:13
B2 Gone Again 23:02
B3 Fresh Air 30:20
B4 Just For Love (Part 2) 35:42
B5 Wolf Run (Part 2) 37:23
Demi Lovato Let It Go is an original song she recorded for the soundtrack of Disney movie “Frozen”. The ballad is performed in the film by the character of Elsa, the Snow Queen. The production in “Let It Go” is guitar and drums. Demi delivers strong vocals and emotion in the lyrics.
[Intro]
Let it go
Let it go
Can’t hold me back anymore
Let it go
Let it go
Turn my back and slam the door
[Verse 1]
The snow blows white on the mountain tonight
Not a footprint to be seen
A kingdom of isolation
And it looks like I’m the queen
The wind is howling like the swirling storm inside
Couldn’t keep it in, heaven knows I tried
Don’t let them in, don’t let them see
Be the good girl
You always had to be
Conceal, don’t feel
Don’t let them know
Well, now they know
[Chorus]
Let it go
Let it go
Can’t hold me back anymore
Let it go
Let it go
Turn my back and slam the door
And here I stand, and here I’ll stay
Let it go
Let it go
The cold never bothered me anyway
[Verse 2]
It’s funny how some distance
Makes everything seem small
And the fears that once controlled me
Can’t get to me at all
Up here in the cold thin air
I finally can breathe
I know I left a life behind
But I’m too relieved to grieve
[Chorus]
[Bridge]
Standing frozen in the life I’ve chosen
You won’t find me, the past is so behind me
Buried in the snow
[Chorus]
[Bridge] [echo… Let It Go]
00:00:00 Jingo
00:04:16 Evil Ways
00:08:12 Black Magic Woman / Gypsy Queen
00:13:34 Oye Como Va
00:17:55 Samba Pa Ti
00:22:42 She’s Not There
00:26:54 No One To Depend
00:32:29 Open Invitation
00:37:15 Hold On
00:41:43 Bella
00:46:14 Winning
00:49:46 All I Ever Wanted
00:53:50 Dance Sister Dance (Baila Mi Hermana)
01:02:07 Europa (Earth’s Cry, Heaven’s Smile)
01:07:17 Everybody’s Everything
01:10:51 Soul Sacrifice
I remember the critics picking on these guys, calling them ‘wimps’. Being, as they were, surrounded by Led Zeppelin, Deep Purple, Jimi Hendrix, Janis, and the like, and with much more numbing power from these, people thought they should be more of a hard drum and base band. They were minstrels, they lilted, it’s very light by comparison. I’m really glad they did it just like this. To me, this is the sound of the late sixties’ consciousness when I was in High School.
Side A
1. Suite: Judy Blue Eyes 00:00
2. Marrakesh Express 07:25
3. Guinnevere 10:05
4. You don´t have to cry 14:46
5. Pre-road downs 17:31
Side B
1. Wooden ships 20:33
2. Lady of the island 26:02
3. Helplessly hoping 28:42
4. Long time gone 31:24
5. 49 bye-byes 35:41
Déjà vu is the second album by Crosby, Stills & Nash, and their first in the quartet configuration of Crosby, Stills, Nash, & Young. It was released in March of 1970 by Atlantic Records. It topped the pop album chart for one week and generated three Top 40 singles: “Teach Your Children,” “Our House,” and “Woodstock.”
Side one :
1. Carry On – 0:00
2. Teach Your Children – 4:27
3. Almost Cut My Hair – 7:26
4. Helpless – 11:57
5. Woodstock – 15:41
Side two :
1. Déjà vu – 19:36
2. Our House – 23:50
3. 4 + 20 – 26:51
4. Country Girl – 29:02
a) Whiskey Boot Hill
b) Down, Down, Down
c) “Country Girl” (I Think You’re Pretty)
5. Everybody I Love You – 34:16
Grand Funk Railroad performing “Inside Looking Out” live from 1969.
This clip was shot at “The Show” WITF-TV in Hershey, Pa. November 1969. Mark & Don were 20 & Mel 18 years old. This clip is timeless. I’ve had hundreds of personal messages from people of 4 generations worldwide that are in awe of this powerful performance. (Folks from 11 to 83 years of age.)
I’ve been told it’s early “METAL”, to the original “GRUNGE”, to the real begining of “PUNK”, to the first “GARAGE BAND”, to pure “TRIBAL ROCK”, to “INDUSTIAL STRENGTH ROCK.” One thing’s for sure, it is powerful, passionate, singular, & unique. Mark, Don, & Mel changed music forever with 10 minute Power Songs like this one. This is the ULTIMATE POWER TRIO. Grand Funk Railroad was truly a “Performance Vehicle”. What you heard on the albums could be duplicated 100% on their live performances. Many would say it’s impossible for a 3 piece band to do this live. See the impossible. Once you start watching it, it’s hard not to finish it. This is the most popular GFRxR video on the Web. Click on the link below & sign the online petition to induct Mark Farner & GFRxR into The Rock & Roll Hall Of Fame now!http://www.petitiononline.com/GFRMDM/…
Everyone go here for The Mark Farner interview about The Legendary Shea Stadium Concert in July of 1971: http://mlb.mlb.com/news/article_enter…
Here is the FULL first album by Grand Funk Railroad:
Side one :
1. Got Got This Thing on the Move – 0:00
2. Please Don’t Worry – 4:38
3. High Falootin’ Woman – 8:59
4. Mr. Limousine Driver – 12:00
5. In Need – 16:27
Side two :
1. Winter and My Soul – 24:20
2. Paranoid – 30:59
3. Inside Looking Out – 38:49
Grand Funk is Grand Funk Railroad’s second studio album, and was released in December 1969 by Capitol Records. It was produced by Terry Knight and engineered by Ken Hamann. This release (aka “The Red Album”) was certified by RIAA with a gold record award, the first for the group. It includes a cover of The Animals’ “Inside Looking Out” which is still a cornerstone of the band’s live concerts today. Other key tracks include: “Got This Thing On The Move”, “In Need”, and “Paranoid”. The inside spread photograph of the trio, for the original album release, was used for the now infamous, $100,000, block-long and several stories high, New York City’s Times Square billboard ad for the album Closer To Home (1970). The producers sought to achieve a concentration on Mark Farner’s guitar, in response to the imbalance the band achieved in On Time with the prominence of Mel Schacher’s bass. This led to the unofficial name of “The Red Album”, as the guitar track, red in the studio, was turned up. This was reflected on the red cover art.
Im sitting here lonely like a broken man.
I serve my time doin the best I can.
Walls and bars they surround me.
But, I dont want no sympathy.
No baby, no baby,
All I need is some tender lovin.
To keep me sane in this burning oven.
And, when my time is up, youll be my reefer.
Life gets worse on gods green earth.
Be my reefer, got to keep smokin that thing.
No, no, no, no, no, no.
No, no, no, no, no, no, no.
I said now baby … baby …, let me smoke it … smoke it …
Makes me feel good … feel good, yes, I feel good … ahhhhh …
Yes, I feel alright … feel alright …, yes, I feel alright … feel alright …
Yes, I feel alright … ahhhhh …
Ohhhhh …
Ice cold water is runnin through my veins.
They try and drag me back to work again.
Pain and blisters on my mind and hands.
I work all day making up NICKEL (burlap) bags.
The oats theyre feeding me are driving me wild.
I feel unhappy like a new born child.
Now, when my time is up, you wait and see.
These walls and bars wont keep that stuff from me.
No, no, baby,
Wont keep that stuff from me.
No, no, no, no, no, no, no, no, no, no.
No, no, no, no, no, no, no.
I need you right now mama.
I need you right now baby.
Right by my side, honey.
All night long.
Make me feel alright …
Yes, all …, yes, all …, yes, all … alright.
You better come on up and get down with me.
Ill make you feel real good, just you wait and see.
Make me feel alright …, yes, I feel alright …
Yes, all …, yes, all …, yes, alright.
The Beatles – White Album 1968
This album came out while I was still a sophomore at El Dorado High School. I remember that winter, sitting in a neighbor’s warm home listening to it for the first time, while my buddy finished getting ready to walk with me in the snow going to High School.
The Beatles, with their 60’s rock music, compelled me to take up guitar playing.
The Beatles – 1962-1966, known as the Red Album (Red Album) is a compilation of songs from the British rock group The Beatles from 1962 to 1966
Side A
1. 00:00 Love Me Do
2. 02:25 Please Please Me
3. 04:28 From Me To You
4. 06:24 She Loves You
5. 08:48 I Want To Hold Your Hand
6. 11:17 All My Loving
7. 13:26 Can’t Buy Me Love
Side B
1. 15:45 A Hard Day’s Night
2. 18:21 And I Love Her
3. 20:53 Eight Days A Week
4. 23:38 I Feel Fine
5. 26:02 Ticket To Ride
6. 29:12 Yesterday
Side C
1. 31:27 Help!
2. 33:50 You’ve Got To Hide Your Love Away
3. 36:02 We Can Work It Out
4. 38:20 Day Tripper
5. 41:13 Drive My Car
6. 43:45 Norwegian Wood (This Bird Has Flown)
Side D
1. 45:56 Nowhere Man
2. 48:43 Michelle
3. 51:26 In My Life
4. 53:56 Girl
5. 56:29 Paperback Writer
6. 58:49 Eleanor Rigby
7. 01:00:57 Yellow Submarine
I’m gonna love you till stars fall from the sky, for you and I.
This album has some great sax playing.
Morrison Hotel (sometimes referred to as Hard Rock Café from the title of the first side of the LP, whose second side is titledMorrison Hotel) is The Doors‘ fifth album. It was released in 1970. After their experimental work The Soft Parade was not as well-received as anticipated, the group went back to basics and back to their roots. On this album, there is a slight steer toward blues, which would be fully explored by the band on their next album, L.A. Woman. The strategy worked; even though no major hit singles were drawn from the album, Morrison Hotel reestablished The Doors as favorites of the critics, peaking at #4 on the US album chart, and when they followed with L.A. Woman the next year, they were rewarded with two more US Top 20 hits. The album also became the band’s highest charting studio album in the UK, where it peaked at #12.
Additional musicians include John Sebastian (credited as “G. Puglese,” for contractual reasons)[1] on harmonica and Lonnie Mack on bass and guitar.
The cover photo was taken at the actual Morrison Hotel located at 1246 South Hope Street in Los Angeles. The band asked the owners if they could photograph the hotel and they declined, so the band went inside when nobody was looking and took the photograph.[1]The rear cover features a photograph of the Hard Rock Café on 300 East 5th Street, Los Angeles.[2] The founders of the later and otherwise unrelated Hard Rock Cafe chain used the name, having seen it on the Doors’ album. The original cafe is no longer open for business.
My memory goes back to a time, where I Dream of Jeannie an American sitcom with a fantasy premise. The show starred Barbara Eden as a 2,000-year-old genie, and Larry Hagman as an astronaut who becomes her master, with whom she falls in love and eventually marries.
And, in the “real” world we discover some good although not classical belly dancing. However, as seen below, one can find a beautiful woman in superb physical condition with great abdominal muscles, and who is also extremely flexible with a superb sense of balance.
SONIA ~ The Mother of All Belly Dance’s
Sonia has earned a reputation as a highly sought after dancer in the Denver area and beyond. She is regularly hired as a performer for popular venues that feature belly dancing. Sonia offers a very professional experience from her costuming, to musicality, attitude, knowledge of the dance, and of course everything in between.(Beats Antique – EGYPTIC)
Santana plays Black Magic Woman dubbed over a video of Alla Kushnir (Liela) as she dances a beautiful and mesmerizing belly dance. The video was filmed in 2006 at the City festival in Nikolaev, Ukraine where she was named Miss Belly Dance of Europe 2008, winner of Ukranian Belly Dance Championship 2007 and 2008 and runner up in a few others.
“Black Magic Woman” is a song written by Peter Green that first appeared as a Fleetwood Mac single in various countries in 1968, subsequently appearing on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK). It became a classic hit by Santana and sung by Gregg Rolie in 1970, reaching #4 in the U.S. and Canadian charts, after appearing on their Abraxas album. The song became more closely associated with Santana than Fleetwood Mac.
IRON BUTTERFLY –
IN A GADDA DA VIDA-ORIGINAL FULL VERSION – 1968
VIDEO CONVERTED IN 3D (Red & Blue – 480P) The video track was recorded on May 27,1968, at Ultrasonic Studios in Hempstead, Long Island, New York. CD SOUND – BEST VIDEO AND SOUND BY IRON BUTTERFLY ON YOUTUBE – 17:02 Minutes
In-A-Gadda-Da-Vida, honey,
don’t you know that I love you?
In-A-Gadda-Da-Vida, baby,
don’t you know that I’ll always be true?
Oh, won’t you come with me
and take my hand?
Oh, won’t you come with me
and walk this land?
Please take my hand!
-Repeat-
~solos~
-Repeat-
The Black Eyed Peas is an American hip hop group. The Black Eyed Peas consists of rappers will.i.am, apl.de.ap, Taboo, and singer Fergie. Originally the band was an alternative hip hop group, but the Black Eyed Peas have subsequently added music from R&B, pop, and EDM/dance influences. While the Black Eyed Peas was founded in Los Angeles in 1995, the band was not formally recognized until the release of their third album Elephunk in 2003 that they found widespread acclaim and achieved high record sales. Since that time, the group has sold an estimated 56 million records worldwide.[2] Based on the ratings of the Nielsen SoundScan, the Black Eyed Peas were the second-best-selling artist/group of all time for downloaded tracks, with over 42 million sales as of the end of 2011.[3]
The Black Eyed Peas first major hit was made with the 2003 single “Where Is the Love?” from their album Elephunk, which also went over the top charts in 13 countries like the United Kingdom. The Black eyed Peas also spent seven (7) weeks as the number one band and continued to become Great Britain’s largest selling music single of 2003. Another single music hit in Europe came from the Elephunk album was “Shut Up“. Their fourth album, Monkey Business, was an even bigger worldwide success, certified 4× Platinum in the U.S., and spawning four singles, “Don’t Phunk with My Heart“, “Don’t Lie“, “My Humps” and “Pump It“. In 2009, the group became one of only 11 artists to have simultaneously held the No. 1 and No. 2 spots on the Billboard Hot 100, with their singles “Boom Boom Pow” and “I Gotta Feeling“, which topped the chart for an unprecedented 26 consecutive weeks. This album The E.N.D. later produced a third Hot 100 number-one placement with “Imma Be“, making the group one of few to ever place three number one singles on the chart from the same album, before being followed with “Rock That Body” and “Meet Me Halfway“, which peaked in the Top 10 of the Hot 100. “I Gotta Feeling” became the first single to sell more than one million downloads in the United Kingdom.[4]
The Black Eyed Peas were ranked 12th on Billboard‘s Decade-End Chart Artist of the Decade, and 7th in the Hot 100 Artists of the Decade. At the 52nd Grammy Awards ceremony, held in January 2010, they won three awards out of six nominations. In November 2010, they released the album The Beginning. In February 2011, the group performed at theSuper Bowl XLV halftime show. The album’s first two singles, “The Time (Dirty Bit)” and “Just Can’t Get Enough“, became international hits and topped the charts in many countries. The single Don’t Stop The Party became an international hit too.
Come On Eileen, sung by Monique Powell
Its 1997 and the band Save Ferris released their first album, It Means Everything, featuring vocalist Monique Powell who was perceived as the next Gwen Stefani (from the band No Doubt). Monique was born in Orange County, CA, on August 20, 1975. When Powell was a child, her desire was to be a ballerina, but a sudden spurt of growth prevented her from achieving that aspiration. While Monique Powell was attending college, she began her life-time adventure in the Southern California ska music scene. She joined an all-female ska band, but the music team broke up after their first performance. Monique moved on, and while she was providing vocals for the the group LARRY, she was discovered by members of the early Save Ferris band who were inspired by Powell’s style and sound. Following this, Ms. Powell was asked to be the front line representative and vocalist for Save Ferris. So, with Monique Powell leading the group’s image and sound, the Save Ferris band was signed to Epic Records in 1997. It is also interesting to note that prior to this, the band No Doubt had achieved a multi-platinum sales record with very similar music; a combination of ska and punk. And this was done a year before Epic Records discovered Save Ferris, hence the Save Ferris band become viewed by some music observers as a copycat. Making matters worse, Monique was being criticized as a Gwen Stefani imitator. None the less, Monique’s contagious, venomous vocal tone has found an audience of her own. As shown in the video above, Monique Powell and Save Ferris’ cover of Dexy’s Midnight Runners’ MTV classic “Come on Eileen” demonstrates her affection for ’80s new wave. Still, this has done little to convey that her group possessed any originality. Finally, the Save Ferris’ 1999 album Modified was a big commercial disappointment. Since then, the original instrumentalists of the Save Ferris band have quit working with Monique, but she continues pushing forward with her sound and the name Save Ferris with new musicians backing her.
GOD bless you much, Heidi.
Steve Vai has been called a guitar virtuoso. His 1990 album Passion and Warfare is often cited by critics and fans alike as among his best works. Particularly the instrumental “For the Love of God” has received a lot of attention from the music press, and is noteworthy in that the entire six-minute piece was reportedly recorded in just one take. Vai’s playing style has been characterized as quirky and angular, due to his technical ability with the guitar instrument and deep knowledge of music theory. He regularly uses odd rhythmic groupings and his melodies often employ the Lydian mode.
Perhaps his most readily-identifiable stylistic feature is his creative use of the floating vibrato, using it to add melodic lines that sound odd to the ear. His playing can be described as lyrical, as if sung by a human voice. During the recording of “Eat ’em and Smile” with David Lee Roth, he employed several guitar techniques that “mimicked” the human voice, as heard in the opening bars of the opening track “Yankee Rose.” He is noted for being physically expressive as he plays his guitar. He often uses exotic guitars: he plays both double and triple neck guitars.
In this video, Steve demonstrates an Ibanez guitar using the wammy / vibrato bar to create sonic sounds not commonly heard, but he sets them into a very melodic line of the song.
Most amusing story and opening lines:
Hello! I’m Emmet.
I’m just gonna come right out…
I have no idea, whats goin on?
At all!
A must see laughable movie trailer:
Then take this in:
In the opinion of Amanda Palmer: “Don’t make people pay for music, let them.” You will see in the following video a compelling and passionate presentation that begins with Amanda Palmer‘s days as a street performer in which she dressed as an Eight-Foot tall bride for collecting dollar donations in a hat. Starting with this image, she presents and examines the current digital paradigm for developing new relationship between a music artist (herself) and a following of fans, all to the tune of over one-million dollars.
Alt-rock icon Amanda Palmer believes we shouldn’t fight the fact that digital content is freely shareable — and suggests that artists can and should be directly supported by fans.
Take a moment to read and hear Amanda’s “The Bed Song”:
We are friends in a sleeping bag splitting the heat
We have one filthy pillow to share and your lips are in my hair
Someone upstairs has a rat that we laughed at
And people are drinking
And singing Van Halen and Slayer on a ukulele tear
Well, we found an apartment
It’s not much to look at
A futon on a floor
Torn-off desktop for a door
All the decor’s made of milk crates and duct tape
And if we have sex
They can hear us through the floor
But we don’t do that anymoreAnd I lay there wondering, what is the matter?
Is this a matter of worse or of better?
You took the blanket, so I took the bedsheet
But I would have held you if you’d onlyLet me
Look how quaint
And how quiet and private
Our paychecks have bought us a condo in town
It’s the nicest flat around
You picked a mattress and had it delivered
And I walked upstairs
And the sight of it made my heart pound
And I wrapped my arms around me
And I stood there wondering, what is the matter?
Is this a matter of worse or of better?
You walked right past me and straightened the covers
But I would still love you if you wanted a lover
And you said
All the money in the world
Won’t buy a bed so big and wide
To guarantee that you won’t accidentally touch me
In the night
Now we’re both mostly paralyzed
Don’t know how long we’ve been lying here in fear
Too afraid to even feel
I find my glasses and you turn the light out
Roll off on your side
Like you’ve rolled away for years
Holding back those king-size tears
And I still don’t ask you, what is the matter?
Is this a matter of worse or of better?
You take the heart failure
I’ll take the cancer
I’ve long stopped wondering why you don’t answer
You can certainly see how fulfilling a life
From the cost and size of stone of our final resting home
We got some nice ones right under a cherry tree
You and me lying the only way we know
Side by side and still and cold
And I finally ask you, what was the matter?
Was it a matter of worse or of better?
You stretch your arms out and finally face me
You say I would have told you
If you’d only asked me
If you’d only asked me
If you’d only asked me
Imagine six (6) different string instruments connected to a common resonating body chamber, all being played by mechanical fingers. Here it is, the classic Animusic very well done:
So, you may ask what is Animusic?
Animusic is a challenge to to describe since it is not like other forms of music which is what makes it unique. Much like Pixar movies, these audio-video extravaganzas are computer-generated, photo-realistic animations.
Each movie is absent of people, animals, dialogue, and singing, but instead are full of abstract alien instruments that are played robotic fingers or creatures as well as pulsating lasers. For example, in “Resonant Chamber,” delicate bird-like robotic fingers pluck and play a guitar with nine necks. In “Pipe Dream” several string and percussion instruments of different types are struck with impeccable timing by balls that are fired from pipe cannons. And, in “Pogo Sticks,” body-less bass-like instruments each with two strings are seen balancing on one wheel as they cruise and boogie through a 3-Dimensional tunneled landscape.
With Animusic the core concept is entirely new, but elements that make it work are all too familiar from the likes of renown media such as “Metropolis,” “Alien,” digital games, Disneyland, laser shows, Spielberg movies, MTV, Electric Light Orchestra, and even science museums and great church cathedrals. If it were not for the the music, some of the animusic videos might be called creepy weird science fiction. A major characteristic of the music is the digital layers of rhythmic techno rock which goes well with the visual characteristics suggesting space-age, interplanetary, foreign, bizarre species of incredibly talented music machines.
Wayne Lytle is the programmer, music composer who has followed his passion and made his occupation the creation of Animusic Studio Software. As of November 2007, Wayne says they have been doing well enough to move into some really nice office/studio space after having worked at home and has spent over a decade perfecting the animusic art form. After many years of custom-programming, Wayne’s proprietary software now generates the animation of the objects, automatically. Specifically and using “Resonant Chamber” as an example, Animusic Studio Software manipulates the fingers, hammers and pluckers of the robots based upon a Musical Instrument Digital Interface (MIDI) file fed to it. When the MIDI music file is altered, the animation is effortlessly regenerated following a production outline given the animusic software.
Because of the high integration of animation and music computer software, the rendering of the video musical instruments are sonically accurate, meaning every time a specific drum is struck, a key pressed, or a string plucked, it always produces the same pitch. (There’s still plenty of hand animation, of course, primarily having to do with the lighting, “camera moves,” set and character movements.)
As each new version of Animusic Studio Software is released, the public simply finds the product richer and more sophisticated, and the people’s response, well most of them simply gape in amazement as to what the Animusic can do.
Video animation industry experts and critics continue to question Mr. Lytle’s motivation for creating the software and what he should do with Animusic. Suggestions for usefulness include “Play it on big plasmas in dance clubs!”; “Music teachers in schools should show this to the kids!”, and the common “Sell Animusic to Pixar!” At conferences for education and technology, the frequent questions are “What’s the target age group?” “What’s your educational philosophy?” “Why isn’t it interactive?” But no matter who is asking the questions, among all viewers of audio and video produced by Animusic Studio Software, the consensus is that it’s just plain cool.
One can find, see, hear and enjoy Animusic tracks at www.animusic.com. Note, the effect of the audio videos on DVD when played on large screen TV are many times a more powerful experience, particularly played through a big, 5.1 Dolby surround sound system. The Animusic web site is where you can buy the DVD’s at $20 each (or $35 for a pair). As the cult of Animusic fans has grown virally on the internet, Mr. Lytle says sales has grown to 60,000 copies of the first disc over the years.
Wayne Lytle with his team producing Animusic may very well be a prominent example of something special in the way that technology can give a voice and a canvas to otherwise undiscovered talent in an artist. In the case of Animusic, that talent is prodigious, and the resulting works of art are awe-inspiring.